SIOUX FALLS, S.D. - While interviewing the Lakota
rapper Gabriel Night Shield, I wrote down
"censorship = castration?" as my next question.
Before I could ask it Night Shield said "It's
always bothered me; it seems like you had to fit
a mold to be in Native hip-hop. It's lame. Why
bother making music if you are just going to cut
the balls off of it."
Night Shield, the CEO of his own record label,
Night Shield Entertainment, has just released his
first solo album "Kataztrophik." The album is a
bold statement from one of the few unfettered
voices coming out of Native culture today. The
CD contains productions from Mr. D-Sane, Mobius
Suntzu, Chad Sharp and Big Ice (Baby Bash) along
with guest performers, including Haystak, Night
Shield's group Triple Crown, label mate Cinatra,
Young Nobles and Native rapper Shadowyze.
The CD offers a mix of classic tracks, including
"Ride With Me" (with Shayla Day) which was a big
hit in South Dakota and "Call Me a Savage" from
the "Savage Alliance" compilation, along with new
pieces. This is the fifth release from the label
and Night Shield is already at work on new albums
by both himself and Cinatra, plus an upcoming
release by Maniac, a Native rapper from the
Cheyenne River Reservation. Night Shield's
website is also a major Native rap site that
links to practically everyone involved with the
movement.
Night Shield is one of the handful of Native
rappers who is leading the pack, but he is not
interested in promoting the positive, new age
image of the Native American. Though he is
hardly a thug, like a true warrior, he uses
everything at his disposal to achieve his goal,
whether it's four-letter words, the N-word, or
just a flat out beat. "A lot of our popularity
comes from the fact that we do keep it real, and
we tell it how it is," Night Shield said. "It's
not all pretty on the reservations, not everybody
is sober and polite. We talk about what actually
happens so people can relate to what we are
talking about. This is shaping up to be our best
selling album, we have sold over 2000 CDs and
it's only been out a little over two months."
Thought he was born on the Rosebud reservation in
1979, Night Shield was raised in Boston from the
time he was two years old until he was twelve.
"I moved back to the rez when I was entering 7th
grade, so I knew there was more out there than
just the rez. Rap was an escape from what was
actually going on, and I was into writing stories
too. My mom was always heavy into music and I
was into her music, like Prince and the Eagles, I
had an eclectic musical upbringing," Night Shield
laughed. "I had always listened to the words of
songs, and I never thought it was too different
from what was going on out here. When I first
moved back to the Rez everybody was into Guns
N'Roses and hard rock. When I first got there
Dr. Dre released "The Cronic," and everybody went
from being cowboys and having mullets to suddenly
being gangstas, wearing baggy pants and stuff.
It was funny because one day this dude would be a
cowboy and the next day he would be rollin' in
with a completely different outfit, down with
stuff. I started listening to Geto Boyz, Snoop
Dogg and 2Pac, it became the main music I was
listening to; all the other genres fell to the
ground after that. I fell in love with the many
different aspects of hip hop; you could be an MC
or a DJ, which I did when I was first starting
out, or the break dancers, the dudes into the
graffiti; it was a whole culture."
While studying audio engineering at the Art
Institute of Seattle he continually had to record
music as part of his music class. While there, he
discovered that a lot of his fellow students were
recording their own rap albums rather than going
out and finding a band to record their music.
>From this experience Night Shield began
experimenting with rapping. "I remember literally
waking up one morning after I moved back to the
rez, I though 'man, what am I doing? I'm just
going to make a compilation album. I just hit up
a lot of people I knew from college, and after
that it evolved into what we are doing now, and
it just got bigger and bigger. After we finished
the first album there was still a lot of stuff
that we wanted to do. We kept working and
working, and I finally got comfortable enough to
make my own CD. When I started out I didn't
think I was strong enough to carry a whole album
by myself, but I've grown."
Night Shield has been criticized for his lack of
restraint in his lyrics, but he doesn't see any
reason for Natives to have to censor themselves,
especially when looking at the rap world today
"Everyone expects you to be a role model, and in
a way you are, but we did a show in South Dakota
for a youth day and we went out to a bar
afterwards, hangin' out and having a good time,
and a couple of the parents came up and asked us
what we were doing in there. I said 'what?
We're having a good time, just like you.' And
they said 'But you guys are suppose to be role
models, you were rappin' to our kids earlier.' I
said 'But they're YOUR kids, what are YOU doing
in here? You should be at home with them.' I see
it as I lead by example, but I don't get that
whole thing where Native hip-hop is where you
either don't drink, or smoke, or swear, or if you
do everything else is terrible. There is a
middle road you can walk. I'm not a raging
alcoholic, which I think is pretty evident."
Night Shield wants to see more Native youth in
the music industry, but he warns that it is a lot
of hard work. "Stay focused and trust me when I
say that the music is the easy part. All the
business, the money, networking with people,
working with producers, and getting press is the
actual work. People think that all they have to
do is put out a CD and the next thing you know
they're on MTV doin' 'Cribs,' and they're
millionaires. It's not like that; that's a
fabricated lifestyle." For more information
http://www.nightshield.net.